Oscar Themes-2017

One of my favorite things to do is watch the best picture nominees and see what themes emerge from the collective whole of the movies. For me, as one who is a social commentator, it gives powerful insight into the things our society is thinking as a group. This year was no different.


Theme One: The Distressed Mother

It is easier to find which movie doesn’t have a distressed mother figure. La La Land is too self absorbed to care about family, but aside from that, every film has it. Arrival is probably the best look at it, but Moonlight, Fences, Lion, and certainly Manchester By The Sea feature this concept of a mother in some level of distress attempting to make things right or fix things.370c71c900000578-3732122-image-m-106_1470775629369

Theme Two: The Boy Looking For Himself

imagesAnd yeah, this theme is integrally connected to Theme One. This years Oscars could be called “Mother and Son” year. Specifically, on the boys side, is the two brothers in Hell or High Water, the uncle and nephew in Manchester, Moonlight is all about a man’s self discovery from childhood, and Hacksaw Ridge is the main characters intense guilt over his childhood, and the fight to be both like his dad but not like his dad.

Paging Dr. Freud. Paging Dr. Freud.

Theme Three: People of Color

In case you didn’t know it, Oscar has had a problem the last few years with the accusations of being too “white” in the nominations. It was a legitimate complaint and I have noted it in the past. This year compensates. Somewhat. Of the nine films nominated, four feature people of color exclusively. Add “Loving” in the mix, and you get five major Oscar films that are ethnically diverse.unknown

The problem I have, is that with the exception of Moonlight and Lion, all of these movies are ‘historical dramas’ that limit black people to portrayals of the past in the limited role of fighting racism and prejudice. Moonlight alone seems to avoid this trap, where the only roles black people have are those of history. I mean, would Manchester By The Sea be nominated if the actors were black? Hell or High Water would not have been nominated had it been two black brothers on the run from the cops. You and I both know it is true. Why wasn’t the linguist in Arrival a Middle- Eastern woman, since it was her work on Farsi that supposedly got the government’s attention? I think Oscar, and Hollywood, still has a prejudice.

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They really cast her as a Native Hawaiian (part Chinese, part Hawaiian) in the movie Aloha, opposite Bradley Cooper
Remember when Emma Stone played a native Hawaiian. Yeah, me too.

Theme Four:  A Rebuttal of Technology

Or at least modernity, perhaps. Even in the sci-fi film Arrival, technology is downplayed. It is almost eschewed with disdain in La La Land. Hidden Figures seems to go out of its way to show how great chalkboards are. Hell or High Water is a tale almost devoid of any technology. Manchester By The Sea even has a scene where the Affleck character can’t find where he is going because he doesn’t have a proper GPS. A parallel to this is the fixation with older cars. I think most of these movies have characters driving around in twenty year old cars (or older). In fact, in La La Land, I’m pretty sure in Goslings old car, he is listening to a cassette tape. ryan-gosling-rides-classic-car-in-la-la-land-set


I am sure I could find more themes if I sat here all day, but these are the concepts and schemes that jumped off the screen at me. Enjoy the movies.

INTO THE WOODS–A MOVIE REVIEW (NO SPOILERS)

Our family divided our movie time up yesterday.  The youngest sprout went with some friends to see the newest retelling of Exodus.  She hated it, and I’ve never been more proud.  She pointed out to me, blow by blow, of all the places where the film was absurd and inaccurate.  Bravo little Greenbean, bravo!

Meryl Streep Into The WoodsAt the same time she watched that Mrs. Greenbean and I watched “Into the Woods” with the oldest sprout.

What I Liked

The acting was great.  I was very relieved, however, that Johnny Depp‘s presence on screen was short lived.  Meryl Streep came very close to over-acting, but, she’s Meryl Streep so she can get away with it.  Emily Blunt, James Corden, and Anna Kendrick were all solid and the children, Daniel Huttlestone as Jack and Lilla Crawford as Little Red Ridding Hood were more than up to the challenge.  Chris Pine and Billy Magnussen nearly steal the show with their “Who is in the greatest agony sing-off” at the waterfall.  Captain Kirk (Pine) really hammed it up, which kept it from being ridiculous, like that time James Bond sang in “Mamma Mia!” or when The Gladiator sang in “Les Miserables.”  Remember those?  How can we ever forget.

Thankfully, this isn't Mama Mia! or Les Mis.
Thankfully, this isn’t Mamma Mia! or Les Mis.

The humor in the movie was good too, which was a credit to the writing and probably goes back to the Broadway show.  The movie has dark overtones throughout, but the flippant and almost throwaway laugh lines keep it from becoming a complete downer.

Along those lines, the best line in the film goes to Pine.  “I was raised to be charming, not sincere.”  Awesome.

What I Didn’t Like

I DIDN’T KNOW THIS WAS A MUSICAL!  I WAS TRICKED!  Apparently my wife knew.  I complained about this on Facebook and a friend asked me, “What did you expect from Stephen Sondheim?”  My only answer was that I didn’t check the credits that closely.  I had no idea.

I also didn’t like the staging, technical effects, and look of the film.  Seriously, at times it looked like Willow.  The scenes with the giant woman were blurry and obscure and I think the whole thing was filmed on the backlot.  How cheap was the set design?  The Prince’s palace is relegated to the stairs.  The village looks like it was borrowed from the television show “Once Upon A Time.”  Speaking of which . . .

Another thing I didn’t like is that it felt like “Once Upon A Time.”  In case you haven’t seen that show, it is a mash-up of every fairytale character you can think of, all living in one universe.  That’s pretty much what “Into the Woods” is.  I know that “Into the Woods” came first as a book and musical back in the 80s, but it is all beginning to feel a bit recycled.

Guess what?  Guess what?  One of the previews informed me that they are making another . . . wait for it . . .  wait for it . . . Cinderella.  Just what we needed.  The world is being overtaken by superheroes and fairy tales.

What I Really Really Didn’t Like

Not much here–and notice I didn’t say hate, because, even though it was a musical (and for the record, I don’t hate musicals, I just have to be in the right mindset for them, okay) there was nothing I really hated.  But I didn’t like the sexual innuendo found between The Witch and the Baker’s Father or between The Wolf and Little Red Riding Hood.  I understand that it is pitching to adult audiences, but I just didn’t like it.

I also didn’t like the sudden and capricious way in which characters died in the movie.  No spoilers, just that when it comes, it comes with little exposition or explanation, and little emotional reflection by the survivors.

There is one more thing I didn’t like.  I didn’t like the way in which the movie changed about two-thirds through.  I felt like I was a horse being ridden in one direction, watching one kind of movie, and then Ouch! the riders tugged the reigns hard in a different direction and forced me to watch a totally different kind of film.  It really is a movie with a split personality.  It starts one way, and then changes abruptly.  I didn’t like that.

Overall

My overall grade is C+.  If you really like musicals, then you might rate it higher.  Both Mrs. Greenbean and the oldest sprout loved the music and I perceive an iTunes download of the soundtrack will be coming forthwith.

images from imbd.com and tumblr.com