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Best Picture 2021 — A Great Batch of Movies

Movies have been weird this year. I haven’t seen a single nominee on the big screen because . . . COVID-19. Instead, I’ve watched them at home, which has been cheaper, easier, and more convenient. However, it doesn’t quite feel the same. Nevertheless, in typical Greenbean fashion, let me present to you my summation and prediction for best picture. Let’s take them in alphabetical order.

The Father — Tear jerker, great performance by Anthony Hopkins, but the only award this French rehash will win is editing (which may be the only sure bet this year). The editing is actually the key to understanding this film, and figuring out when Oliva Colman is wearing that blue shirt.

Judas And The Black Messiah — One of two films set in Chicago in the late 1960s. The story is amazing, and the acting is brilliant. This movie has a better than average chance of winning, particularly because of the subject material’s relevancy. I really liked this movie.

Mank — Well told story about old Hollywood using techniques and pacing that is reminiscent of the old stories themselves. Pro Tip: watch Citizen Kane BEFORE you watch Mank. Oldman will win best actor because Hollywood loves Hollywood more than anything except money and it will probably win cinematography, but Mank can’t win best picture. It is a great movie, but not up to snuff with some of these other films.

Minari — I am sentimental about this movie. It reminds me so much of my own childhood — right down to the barn burning and kids riding the van to church. This movie has a very good chance of winning. Brilliant acting, pacing, and it may well be the best overall storytelling we’ve seen in an Oscar nominee in a long time.

Nomadland — This is the weakest of the movies nominated. It is still a fine film, and I particularly loved the homage to the West as my family has been to so many of the places visited. Specifically thrilling for us was Wall Drug. I just found it a little simplistic. Felt much more like a documentary.

Promising Young Woman — This movie has a better than average chance of winning. Brilliant, thrilling, riveting, and heart breaking. Again, the subject matter is very contemporary, but Carey Mulligan is a powerhouse in this movie making the most of every word she says and every glare she gives. I think Mulligan wins (Mrs. Greenbean thinks Andra Day wins) best actress, and this movie may be an upset winner.

Sound of Metal — Mrs. Greenbean loved this movie. It is a well told tale with riveting characters you care about. The story of a person losing his hearing and how he copes and the folks who help him is the stuff of real life. This movie, along with Promising Young Woman, is one of those that stays with you long after you’ve watched it.

The Trial of the Chicago 7 — I loved this movie. The Aaron Sorkin script will win best original screenplay and Sacha Baron Cohen may steal a best supporting actor Oscar, because Oscar has set up Judas And The Black Messiah actors to fail by nominating Kaluuya and Stanfield in this category, thus splitting that vote. If you love political drama, this your movie. Such a wonderful ensemble cast, especially the always riveting Mark Rylance who, in a different less crowded year, would have been nominated for best supporting actor.


I really did like all of these movies and could make a case for each one winning the Oscar, so I will not be mad at all this year (I’m looking at you, Birdman and The Shape of Water). But if I were picking, I would pick Minari, and I think Minari will win. After Parasite, Koreans are on a streak.

A couple of auxiliary notes. First, with the exception of Frances McDormand’s naked skinny dipping, there was no nudity or sexually explicit scenes in any of these movies. The language in all of them was harsh, Minari being tamer than the rest, but the absence of nudity was a very pleasant surprise. I hope it is a harbinger of things to come. Even McDormand’s scene was more of a hippy dippy moment and not designed to be sensual.

Second, I always like to find themes in the movies to see where Oscar’s head is, or where Hollywood’s is. A surprising one emerged: community. Each movie emphasizes the strength of a community that holds us together. It is very prominent in Metal as the real heroes are the deaf community who also are Christ followers. But Promising has the subset of med school students, Chicago 7 is protesters, Nomadland is the community of nomads, Minari is the immigrant community, Mank is that small Hollywood cloister of olden times, Judas is the Black Panthers, and The Father is literally a family. it doesn’t take a rocket scientists to point out that in the world of COVID-19, those tight communities and being together tends to tug at our heartstrings a little more.

If things allow, I’ll be back later with more Oscar predictions. It is a very good batch of movies this year. Very good.

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The Greatest: Part II

I had so much joy writing “The Greatest” blog yesterday, especially with some of my friends who chimed in with their own lists. Check it out by clicking here if you missed it.

Do not go qentle into that good night

I had so much fun I want to turn the page by picking up where yesterday’s list ended. I used real people and actual life callings in defining who I thought was the greatest, but I cheated by finishing up with “The Greatest Star Trek Captain”, which is, of course, Jean Luc Picard. Today we play a little more and go totally fictional.

  1. Greatest Jedi — Luke Skywalker
  2. Greatest James Bond — Daniel Craig
  3. Greatest Fictional President — Thomas J. Whitmore
  4. Greatest Disney character — The Genie
  5. Greatest book to film — To Kill A Mockingbird
  6. Greatest literary character — Sherlock Holmes
  7. Greatest action hero — Dr. Henry Jones, Jr.
  8. Greatest villain — Sauron
  9. Greatest Wizard — Hermione Granger
  10. Greatest Avenger — Iron Man

Honorable mentions: Obi-Wan Kenobi, Sean Connery, Pierce Brosnan, Laura Roslin, Tom Beck, Mickey Mouse, Jiminy Cricket, Jaws, The Godfather, Odysseus, Beowulf, John Rambo, Ethan Hunt, Tarzan, Darth Vader, Cylons, The Man in Black, Gandalf the White, Merlin, The Black Widow, and The Black Panther

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On COVID-19 Vaccines

I plan on taking the vaccine as soon as I can.

Now, being a healthy middle aged person I don’t expect to get one anytime soon. But when I can, I will. I know that some of you are suspicious of it and I understand those sentiments, so I am not judging you or anyone else. I do not believe in forced vaccinations for COVID-19. I am simply sharing my thought process.

For certain this process of thinking about it is skewed by the fact I’ve been vaccinated several times throughout my life. Indeed, I think it would be accurate to say I was vaccinated half a dozen times before I could read. These vaccines have made me and others healthy and made the world safer to live in. Vaccines have saved untold lives all around the world and nearly eliminated things like measles, mumps, rubella, whooping coffee, tetanus, and polio. Without vaccines, we all would know someone who had died of these diseases, or we would now be dead ourselves.

But that is not the only calculus in my head. I’m also factoring in probabilities. The risk of having a negative effect from a COVID-19 vaccine is much smaller than the risk of getting COVID-19, and it is smaller than the risk of dying from C-19. In that sense, I perceive rolling the dice on a vaccine is really not that big of a gamble.

I also think about the effects of a potential vaccine as compared to other things I’ve done to my body. I snorted a whole package of powdered candy when I was fifteen. I had a headache for a week. That was probably worse for me than a vaccine. For a skin cancer they once gave me a radioactive cream to put on my face. That wasn’t very fun. I’ve had fillings, root canals, and all kinds of metals put into my mouth permanently. And while I’m on the dentist side of things, the X-ray they take of my mouth is probably way more dangerous than a vaccine, as was probably most of the food I ate in college.

Pixy sticks, weather eaten or inhaled, are probably riskier than a COVID-19 shot

Now if I compare the vaccine’s risk to other dangerous endeavors, the risk factor becomes even more mitigated. I have flown thousand and thousands of miles in airplanes, often in bad weather. I have shot firearms and disarmed threatening people of their firearm. I have thrown knives, axes, and stood over open pits leading to the abyss. I have been attacked with weapons at church, robbed on the street in Dallas, not to mention driven cross country a half-a-dozen times. I’ve driven in Los Angeles. I’ve been caught out on the lake when a lightening storm sparks to life. I have handled snakes, trod on scorpions, and watched a bear eat through trash. I swam in a lake that smelled so awful from industrial pollution people held their nose when driving by.

I have wrestled flesh and blood as well as spirits in high places.

I don’t think a vaccine is the most dangerous or risky thing I’ve done. Not even close.

Of course, all of this pales in comparison to the greatest single reason I will take the vaccine as soon as possible. I want life to return to normalcy, and my society needs me to take the vaccine to do it. By immunizing myself I lower the risk for grandparents, heart patients, diabetics, and asthmatics. The vaccine will make church small groups, unfettered seating, and hugging at church a part of life again. By taking the vaccine, I make the possibility of watching the new James Bond movie in a theater a reality and then having a giant bowl of spaghetti in a restaurant afterward a definitely doable event. I make it safe for grocery store workers. I relieve the burden on the health care professionals who are currently stressed to the level of near exhaustion. By doing my small part I make the economy stronger. I make America stronger. I make the world stronger.

I am not asking you to come to the same conclusion I have come to. All I ask is that you operate from a place of reasoned thought and logic rather than fear and misinformation. When I do the work of thinking about it and analyzing the risk and benefits, it is not even a hard choice.

A Review of The Personal History of David Copperfield

Before I get to the review — let me first mention the whole experience. I haven’t been to a movie in so long I can’t remember what the last one I saw was? I’ve seen several at home, on demand, streaming, etcetera etcetera etcetera but not at the theater.

They’ve been closed. Boarded up. Not open.

But now they are open again. We ventured out yesterday, Labor Day, and watched The Personal History of David Copperfield. Our party of six were the only ones in the theater, felt like a private screening. We did not buy snacks, and I kept my mask on the whole time.

I was unsure of going because I have been super cautious. Had the theater been crowded I probably would have felt differently, but with just us, there was no real danger at all. Now to the movie:


I loved it. I have to admit some of my love may have been the sheer giddiness of being in a movie theater again, but I think I am able to separate those emotions. I loved the movie.

Hugh Laurie, Dev Patel, and Tilda Swinson–DONKEYS!

David Copperfield is my favorite Dickens book, and I was very afraid they would mess it up. It is a long book filled with marvelous characters that have complicated relationships. The movie compresses a lot of this, for understandable reasons, but it perfectly captures the spirit of the book. Yes, they truncated Clara and really didn’t make Uriah Heep as awful as he was in the novel, but the feel of the book is there. Actually, none of the bad guys are as bad as they are in novel — not his stepfather, not his step-aunt Mrs. Murdstone, and not Steerforth, either. The movie softens all of those a bit. Perhaps that is because Dickens is so brutal.

My favorite part of the novel was the house with David’s Aunt, Mr. Dick, Janet, and the donkeys. I still remember laughing out loud when reading those parts and having Aunt Betsey shout, “What the Deuce?” Janet is reduced to mere ‘servant’ in the movie, but the feeling of that house is spot on. Mr. Dick, portrayed by Hugh Laurie, should be nominated for best supporting actor. He is amazing, as is Peter Capaldi as Mr. Micawber.

A decision was made to cast the movie completely multicultural regardless of part. All of those white British people being played by people of color who have white children or visa versa is refreshing. That is a choice that fits Dickens zeitgeist of social justice and calling into light the problems of the day. I adored Dev Patel’s performance as David. He seemed perfect for that role (as he seemed to be for Saroo in Lion — a movie that didn’t get proper respect, IMHO).

The movie is rated PG and is really safe for the whole family. I would like to see it nominated for best picture.